Showing posts with label Cinderella. Show all posts
Showing posts with label Cinderella. Show all posts

Tuesday, February 18, 2014

Top 10 Best Disney Songs (1937-1988)

This was a hard list to make, so I decided to take all the weight off myself and ask others their opinions on top of mine. That being said, these choices are not the same as my own Top 10. There are a few rules to this list. First off, all songs are from the Disney canon. Secondly, they are all songs written for their respective movies, not a song like "Night on Bald Mountain." I decided to split up my lists, since there are far too many to just squeeze them down to ten. Enjoy!

10. "Bella Notte" (Lady and the Tramp)

Bella Notte translates to "Beautiful Night" in Italian, in case you were wondering, which makes sense since Tony sings it in the first line. This song is probably one of the most iconic love songs in Disney, and probably everywhere. It's a beautiful song, and an even more beautiful scene. Who can forget the famous the Spaghetti Kiss? The scene is so famous that it's been parodied numerous times over the years. It's a short song, which they remedy by singing it twice, once by Tony, and another by a chorus. Whether you like this movie or not, you have to admit that this song is pretty moving.

9. "Winnie the Pooh" (The Many Adventures of Winnie the Pooh)

This song is a childhood favorite of many and it's easy to see why. It's very catchy and just a lot of fun. Also, who doesn't love Winnie the Pooh? For me, this right up there with another certain Winnie the Pooh song. This song serves as the opening to both The Many Adventures of Winnie the Pooh and its sequel Winnie the Pooh. We're going to go with the original song as the better one just because it's a classic. The newer version was sung by Zooey Deschanel. I always like the opening because of the Winnie the Pooh character stuffed animals and the zoom in on the book, which contains the map of the 100 Acre Wood, complete with misspellings and backward letters.

8. "I Wanna Be Like You" (The Jungle Book)

This is probably one of the swinging-est, jazzy songs Disney has ever produced, and it is awesome. This is one of my personal favorite Disney songs, and it's easy to see why. This song just makes you want to dance, and sing-a-long. King Louie is a great character and this song just makes him cooler. The Sherman Brothers penned this song, while Louis Prima provided the vocals. The Sherman Brothers based it off of Prima and his band, who were huge hits in Las Vegas with their Dixie-Land style Jazz music. It was a winning combination, as this song, along with the rest of The Jungle Book soundtrack is considered one of the better all around musicals of pre-Renaissance Disney.

7. "You Can Fly" (Peter Pan)

This is probably the most well known song in Peter Pan, and it's a good one. No other song has made anyone want to fly more than this one. Every child has tried it at least once: they've stood on the edge of their bed, thought of a happy thought and jumped, hoping to fly off instead of awkwardly hitting the floor. This is another trademark of Disney music, popping up in ads and Disney theme parks. It's not my favorite Peter Pan song (that goes to "Never Smile at a Crocodile"), but it's a million times better than the embarrassingly racist, "What Makes the Red man Red?"

6. "Bibbidi-Bobbidi-Boo" (Cinderella)

No other phrase is more synonymous with magic, save for abrakadabra or alakazam, than bibbidi-bobbidi-boo. This song, if you haven't noticed, is almost completely gibberish, and it's still good. The song ended up being a hit in its own right, later being performed by Perry Como and the Fontane Sisters. Cinderella has plenty of good songs, but I think this one made it on the list because it's probably the most fun. The scene is great too, with everyone getting turned into different things. This is one of those songs that makes people wish that they had that backup, a fairy godmother if you will, when things go terribly wrong.


5. "He's a Tramp" (Lady and the Tramp)

As you can see, I'm letting a few repeats on the list. This is definitely the coolest song in Lady and the Tramp, with it's bluesy feel and the outstanding vocals by Peggy Lee. Lee also did many of the other songs in this movie, but this is the highlight. "He's a Tramp" was actually a very late addition into this movie, being submitted by Peggy Lee and Sonny Burke. Disney liked it so much that they fit it into the movie by putting it during the pound scene. I always liked this song, mostly because it gave me a reason for singing in dog howls, but I hated the immediate scene after it. Lady finds out that Tramp has had quite a time with the ladies before her and decides to shun him. Still, it's a great song, and I can see how it made the list.

4. "Bare Necessities" (The Jungle Book)

As I said before, The Jungle Book is full of great tunes, and this is probably the best known one from it. Sung by Phil Harris and written by Terry Gilkyson, this song is the only hold-over from an earlier draft of The Jungle Book. Gilkysons songs were considered too moody for the picture, so Disney got the Sherman Brothers to take over. The crew begged Disney to let them keep it, and boy are we glad they did. This song is a ton of fun and has Disney written all over it. I've always considered this to be the pre-cursor to Hakuna-Matata. The song revolves around Baloo trying to convince Mowgli that any thing you need will come right to you, so don't bother worrying about anything. That is sound advice! Baloo is one of my all time favorite Disney characters, and he basically makes an appearance in another movie (Robin Hood) and a TV show (Talespin). He's the prototypical fun uncle, and this is his lazy anthem.

3. "Cruella De Vil" (One Hundred and One Dalmatians)

"Cruella De Vil" is the most iconic villain song Disney has. The biggest difference between this villain song and the others is that this one is sung not by a villain or their henchman, but a protagonist. Songwriter Roger Radcliffe (Bill Lee) pens the song on the spot after meeting his wife's boss, Cruella De Vil. The song is equal parts funny and terrifying, depending on what age you are. The song is also the only main song in this whole movie, save for an outro and a TV commercial, even though one of the characters writes songs for a living. Luckily the song is so great that it makes up for the lack of other musical interludes.

2. "Once Upon a Dream" (Sleeping Beauty)

There had to be a song from Sleeping Beauty. They're all good, but this whimsy song takes the proverbial cake. It has a great duet, a chorus, and woodland creatures pretending to be a person. Disney decided to make a nod to Snow White's "I'm Wishing/One Song" by having a Prince unexpectedly becoming part of the song. This song also sticks out because they use it in the opening credits. The songs in this movie are about the only bright and happy things, as this is one of the darker Disney films, so it's nice that the songs aren't crazy depressing. That being said, with the new Maleficent movie coming out, "Once Upon a Dream" has been redone, albeit in a darker, moodier way.

1. "When You Wish Upon a Star" (Pinocchio)

I'm sure a lot of you saw this coming. This song is heard almost anytime you see a Disney commercial, it's logo, or watch one of its movies. It's probably the most beautiful and hopeful song Disney, or anybody has ever made. It, like Mickey Mouse, has become an icon of the Disney company and is instantly recognizable. This song best represents the true essence of Walt Disney, a dreamer if there ever was one. This was far and away our top choice for best song before the Disney Renaissance. Is this the greatest song Disney has ever made? According to AFI it is, but what do you think? Is this better than the rest of the Disney song library?

Wednesday, July 6, 2011

Disney's Cinderella

After being four million dollars in debt from WWII and feverishly working on gaining that money back by making live-action films and shorts like Melody Time, Walt Disney was finally able to get back on track, making full length animated films. Walt didn’t have an easy task ahead of him, a guaranteed hit was needed. There was even a danger of Disney studios going under if the next movie wasn't a smash hit. The biggest crowd-pleaser up to that date was Snow White and the Seven Dwarfs. Disney knew to win audiences he needed an underdog story. Walt Disney felt closest to these types of stories because he himself was an underdog. He grew up working on a farm and delivering newspapers and continued working hard to accomplish all the things we know him best for doing. So in 1950 Disney took on his biggest risk and told the tale of Cinderella.

To make things easier on his animators and keep cost down Disney first shot the film in live-action, using only a few actors and basic set pieces for them to use. This allowed the animators to pinpoint the exact movement a character could have. A simple lifting of the arm is more detailed than a person would typically think, because the animators have to know how the characters clothes move along with the body. A major influence on Cinderellas’ styling and mannerisms was from her live-action model, Helen Stanley (She would later have the privilege of portraying Sleeping Beauty and Anita Radcliff from One Hundred and One Dalmatians). At times the animators would even project the images of the live-action film onto giant sheets of paper so they could trace the actors. Of course they would greatly enhance these drawings into the detailed animation we love.

The movie centers around the daughter of a widowed aristocat...er sorry...aristocrat. Her father decides that Cinderella needs a mother and marries the most evil person he can find. Of course he doesn't know that, but it all becomes apparent after he passes away and Cinderella is left in the care of her new mother, Lady Tremaine (I'm pretty sure she didn't go by "Evil Stepmother"), and Tremaine's plain and socially awkward daughters from a previous marriage, Anastasia and Drizella. Ewwwww....Drizella. You are asking for an ugly kid when you name them that. The step-sisters are of course envious of Cinderella's looks and treat her badly. Lady Tremaine shows her true colors and all together, the three form the evil trio. "Yes, Cinderella, shame on you for being pretty and being an orphan, now we will make your life hell!" Did I mention they also have a cat...named LUCIFER! How did Cinderella's dad not get an inclination that this woman was psycho? Who names their cat after the ruler of all that is evil?

Cinderella is basically made into a scullery maid and has to clean up after everyone. She finds solace, like so many people do that work in the cleaning business, by making friends with animals. She specifically makes friends with a bunch of mice. I'm sure they were not crawling with the plague, but what do I know? Off at a random castle, the King is alarmed to find out that the Prince intends to be a bachelor his whole life. Like every parent ever, the King wants grandchildren, and will manipulate his child in order to get babies. The King decides to throw a grand ball for the Prince; one that all available ladies are to attend.

The invitation to the ball comes and Cinderella wants to know if she can go too. She is told that if she can finish all of her chores, then she can. Of course, her step-mother gives her a collection of chores as long as Nixon's enemies list. Cinderella gets all the cleaning done, while without her knowledge, her mice friends including Jaques and Gus, who are the main mice seen throughout the film, make her a dress. Gus fills out the typical lovable dope space in the film, as was the trend in the early Disney movies to have a complete moron be the comic relief. The mice and birds put together a dress made up of part of her mother's old dress and a sash and beads from Cinderella's stepsisters which were thrown out. She puts on the dress, and is all set to go when her step-mother sarcastically compliments her dress, then subtly points out the beads and sash that belong to her daughters. The daughters realize this and go crazy. Tearing-clothes-off crazy. I can just imagine what was going through their heads: "I know I threw that out but I CAN'T STAND TO SEE YOU WEARING IT!" They ruin Cinderella's dress and leave without her.

Cinderella is crushed. She skulks out into the garden, cursing her new family when out of nowhere, her Fairy Godmother appears. Apparently everyone has a fairy godmother. How did I not know this? Is there some sort of secret phrase you have to say? Do I have to be going to a ball for it to materialize? Maybe it just shows up when I most need it, like when I'm betting on who's going to win the Super Bowl. The Fairy Godmother cheers her up and sings a song filled with nonsense words that will never help you in real life. With the magic words of Bibbidi-Bobbidi-Boo, the Fairy Godmother turns a pumpkin into an elegant carriage, the mice into horses, a horse into the coachman, and a dog into the footman. How do I know these magic words are nonsense and don't work? I've tried to turn mice into horses with the words a few times. Didn't work. All I got from the experience was the memory of a whole classroom of my peers laughing at me during show and tell. Interesting tidbit about this scene is that Walt Disney's favorite piece of animation of all his films was Cinderella's dress transformation. The Fairy Godmother tells Cinderella that the spell will be broken at the stroke of midnight. Apparently you have to be a Fairy Godmother for awhile to be able to have spells last past midnight, just like beginning drivers can't drive past that same time. What is it with things ending at midnight?!

Cinderella tears it to the ball. The Prince, who has not been given name in the movie and is never referred to Prince Charming, is not interested in any of the women at the ball. That is until Cinderella walks through the door and the Prince is immediately captivated. They don't talk, they just look at each other, smiling and dancing. The King is very pleased that his son may have found his bride and informs his Grand Duke to make sure everything keeps going smoothly. The two dance for what I can only assume is four hours, because the clock all of a sudden strikes midnight. Cinderella acts as though she remembered that she left the oven on and runs from the Prince. In her hurry to get away, she drops one of her glass slippers. The Grand Duke has the
unfortunate task of informing the King that there was a hiccup and the future princess has disappeared. Enraged the King sends his Grand Duke on a journey to find the mystery girl or else he's a dead Duke. The Duke travels throughout the land searching high and low, and stopping at every house in the kingdom. This probably took much longer than the film lets on. With him he brings the glass slipper, as he will determine the mystery girl by if the shoe fits or not. I find it hard to believe that no one else has Cinderella's shoe size. There is an equal chance that some girl in the kingdom has the same sized shoe and she becomes the new princess. I will suspend disbelief for now. News travels fast and Lady Tremaine's household hears of the Duke's trip to find the new wife of the Prince and the evil trio gets ready. They soon realize that Cinderella is the one that the Duke is looking for and the evil stepmother locks her in the attic.

The mice attempt to get Cinderella out of her locked room by stealing the key from Lady Tremaine's pocket. This is all while the Duke arrives at their front door. The mice are able to get the key but they are stopped by Lucifer while they are climbing up the staircase. The whole sequence of the mice trying to get the key up the stairs has a certain Hitchcock suspense to it, as the film makers probably intended. Bruno, the dog which was turned into the doorman earlier, scares Lucifer off and the mice run to unlock the door. Meanwhile, the Duke tries to get the shoe on the stepsister's feet, but is unsuccessful. One sister could only fit their big toe into the slipper. I'm sure the Duke was hoping that it wasn't them the whole time. The duke is about to leave when Cinderella stops him and asks if she can try on the slipper. The evil stepmother knows that it will fit and trips the Duke's footman while he is carrying the slipper. It shatters on the floor. The Duke laments that now they will never be able to find the mystery girl, until Cinderella produces the other glass slipper. The Duke is ecstatic and the evil trio is aghast. The Duke puts the slipper on Cinderella's foot and it fits perfectly. Not a whole lot of suspense in this scene. It would have been funny if it didn't fit and she had grabbed the wrong shoe upstairs. The Prince and Cinderella are married in a church and everyone lives happily ever after. Well, I assume everyone does, as they don't mention what happened to the evil trio.

The profits from the film's release, with the additional profits from record sales, music publishing, publications and other merchandise gave Disney the cash flow to finance a slate of productions (animated and live action), establish his own distribution company, enter television production and begin building Disneyland during the decade. So, to put it plainly, Cinderella was a smashing success for Disney. Critics and audiences everywhere loved the movie. It was quite a gamble for Disney because at a cost of nearly $3,000,000, Disney insiders claimed that if this movie had failed at the box office, then Disney studio would have closed.

The film received three Academy Award nominations for Best Sound, Original Music Score and Best Song for "Bibbidi-Bobbidi-Boo". In June 2008, the American Film Institute revealed its "10 Top 10"— the best ten films in ten "classic" American film genres—after polling over 1,500 people from the creative community. Cinderella was acknowledged as the 9th greatest film in the animation genre.

Disney's Cinderella's story came from the an adaptation by Charles Perrault,a French author whose version is named Cendrillon. I'm glad our version didn't have the french name. The story of Cinderella is much older than the French version however, as the earliest is said to have come from ancient Greece. The Ancient Greek historian Strabo recorded in the 1st century BC the tale of the Greco-Egyptian girl Rhodopis, "rosy-cheeked", who lived in the Greek colony of Naucratis in Ancient Egypt. It is often considered the oldest known version of the story. Many other versions of the story have come out of China, the Philippines, and as part of the story Arabian Nights. All stories centered around the rags to riches story and a king or prince trying to find a mysterious girl. The most popular versions of the tale come from more recent times, namely from Perrault in 1697, and the Brothers Grimm in the 19th century. Perrault's tale gained popularity for the addition of the pumpkin, the fairy godmother, and the glass slippers. The Grimm Brother's tale was a German version called Aschenputtel. Yuck. Never mind, the French version is much better than the German version. In that version, there is no fairy godmother, but a wishing tree that grows on her mother's grave. Of course though, there has to be some sort of gruesome scene in the book, and it doesn't disappoint. The evil stepsisters attempt to trick the Prince by cutting off parts of their feet to be able to fit into the slipper. Two birds alert the prince of the trickery and proceed to peck out the stepsister's eyes, condemning them to be blind beggars. The moral of the story: don't cut off your feet to trick someone, or you'll eyes will get pecked out by birds. Yay, Grimm Brothers! Luckily for the children, Disney chose the Perrault version and Disney's Cinderella is universally enjoyed as a classic Disney animated film.